SIF309 Film & Music Productions

Recording studio

Since 1997, SIF 309 executes its recordings in Studio 1 of The Bulgarian National Radio, which has an excellent acoustics and can easily accommodate a full symphony orchestra and choir. Studio 1 is the largest one built for the purposes of symphonic recordings in Bulgaria. The acoustics imbue sound and experienced Technical Department team are the best in the region. We have worked and continue working with well-known sound engineers.
studio
SIF309 Film & Music Productions
Recording Engineers

Didier Lizé
Marco Streccioni
• Sava Lafsov

Technical Crew

• Todor Mirchev
• Marin Marinov
• Valentin Yordanov
console1
console3
console2
 
 
In the very beginning the recordings were mostly executed in Hall No1 of the National Palace of Culture Sofia. Since 1997, SIF 309 executes its recordings in Studio 1 of The Bulgarian National Radio, which has an excellent acoustics and can easily accommodate a full symphony orchestra and choir. Studio 1 is the largest one built for the purposes of symphonic recordings in Bulgaria. The acoustics imbue sound and experienced Technical Department team are the best in the region. We have worked and continue working with well-known sound engineers such as: Marco Streccioni, Didier Lize, Simon Derasse, Bruno Mercere, Jean Marc - Pinaud, Mateo Cifelli, Jean-Baptiste Brunhes, Stephane Reichart, David White, Philip Avril, Patrick Sigwalt, Nick Wollage, Xavier Escabasse, Carl Sealove, Christian Eulitz, Alessandro Vanara, Vincent Joinville, Philippe Laffont, Yasushi Sakurai, Uli Auer, Thomas Koritke, Stephane Prin, Simone Ciammarughi, Sandro Franchin, Philip Welsh, Olivier Do Espirito Santo, Matteo Cifelli, Ludger Boeckenhoff, Luca Tassinari, Lorenzo Cazzaniga, Jocelyn Seilles, Jiri Heger, Jean Lamoot, Guillanne Samot, Goffredo Gibellini, Fabio Patrignani, Didier Lozahic, Damiano Antinori, Alexandre Firla.
RECORDING STUDIO of
Bulgarian National Radio in Sofia (BG)
Studio
Floor area:
420m2
Volume:
4500m3
Control Room Area:
31m2
Volume:
90m3
Reverberation time:
1.4s
 
Console:
Solid State Logic Duality 48 ch.
 
Pro Tools System:
Pro Tools HD Accel*  
Recorders:
Digital: Multichannel Audio Recorder
4 Sony PCM 800-32 (16-bit linear quantization)
2 DAT Sony 800
3x DA 98,1x DA 78 TASCAM DTRS RECORDERS
CD Philips
Monitors:
Genelec 1035
Genelec 1031
Genelec G30 (Surround)
Genelec S30C (Tri-Amplified Monitoring System)3 pcs
 
Outboard:
Lexicon 480L
Lexicon PCM 80
 
t.c. electronicFireworX (Studio Effects Processor)
t.c. electronicFinalizer PLUS/96 (Studio Mastering Processor)
Musical Instruments at the Studio:
2 Grand Pianos Steinway D
2 Harps
Vibraphone Premier
Marimba Musser
Xylophone Musser
Tubular bells Musser
Timpani Premier
Drum battery Ludwig
Little & Big Gongs Ludwig
Glockenspiel  
Iso Box:
Drum Set Sonor
 Guitar/Bass amp.
Microphone NEUMANN
AKG
SHURE
B&K 4006
* Pro Tools HD Accel Recording System Specifications:
192 I/O Audio Interface x 2
192 A/D Expansion Card
192 D/A Expansion Card
Analog and digital convertors AES EBU/SPDIF/TDIF/ADAT
96 I/O Audio Interface
Apogee BIG BEN Master clock
Synchronizing Interface SYNC I/O for synchronizing with any video device
Fire ware HDD LaCIE
Pro Tools 7.3.1 software versions
Apple G5 Intel,
DV Capture Canopus ADVC 100
TFT monitor

SIF 309 is happy to announce its new service – recording through internet.

Now you don’t even have to leave your city. You can sit at home and monitor the recording sessions remotely with the great Pro Tools plug-in Source Connect Live. All you need is just a computer and internet. At the begging of the session we will give you a secure URL streaming address to listen in real time the recording process.
You will be able easily to communicate through skype or iChat with the conductor and the sound engineer.

Learn more about Source Connect Live on http://www.source-elements.com/Live/


From the summer of 2007 we are proud to offer you Apogee BIG BEN - The World's Most Revolutionary Studio Clock

WINNER: 2004 TEC Award!
Category: Ancillary Equipment


It's About Time...
For years audio professionals have been requesting that Apogee make their legendary clocking technology available in a stand-alone master clock. We have responded not only by making it available but by making it revolutionary. Apogee’s BIG BEN is already astonishing users with its ability to bring amazing clarity and quality to audio production while providing flexibility and features like no other studio clock before.

A Cure for the Jitters – Apogee’s new “C777” Clock
At the heart of any word clock regeneration is a phase lock loop (PLL). The PLL is a combination of analog and digital elements without the ability to dynamically adapt to the nature of the external clocks. In other words, the better the clock performance, the less flexibility it has. And conversely, the more flexibility there is in a PLL, the less effective it is at jitter reduction. Apogee’s new C777 is built to address these inadequacies. The C777 utilizes an entirely digital process that Apogee has developed using the most advanced Direct Digital Synthesis (DDS) technology available along with DSP based digital filtering. The result is the most aggressive jitter reduction ever. With the flexibility and stability provided the C777, Big Ben is able to re-clock devices with excessive jitter and function as if it were the master clock. The ultimate in flexibility combined with unprecedented levels of performance make the C777 unequaled in the world of clocking.

Pro Tools HD Accel features the HD Core card and two additional HD Process cards, supporting up to 96 channels of I/O and 128 simultaneous audio tracks. This configuration offers the ultimate in power and flexibility, enabling you to complete projects more quickly and efficiently than ever before.
Pro Tools HD Accel Features
• Increased sample rate support - up to 192 kHz
• Next-generation dedicated hardware performance combined with host-based processing capability for ultimate power and flexibility
• Guaranteed support for up to 128 simultaneous audio tracks with no stress on the computer
• World-class, high-resolution audio interfaces, each offering a wealth of analogue and digital connections
• Expandable DSP power and I/O capacity
• Support for up to 96 channels of I/O
• Includes TDM II, Digidesign’s new bus architecture design - providing support for extremely large mixing configurations
• Proprietary new DigiLink™ interface standard for connectivity of HD Core and HD Process cards with 192 I/O and 96 I/O™
• Full session compatibility with systems running Pro Tools 5.1 software or higher; supports all older Pro Tools sessions
• With Pro Tools you can easily record, mix, edit, master and use lots of other possibilities
• Pro Tools gives better quality and makes the work easier
• Pro Tools saves expenses and time for the back-up copies of the tapes
• Pro Tools saves expenses and time to transfer the recorded material for post-production